Lena and her husband Sven argues in a summer cabin by the sea. She runs away, leaving Sven with his friend Pelle. A travelling projectionist turns up in the evening and shows them some films of how a relationship can look like from different perspectives.

Arvid share the love with a young woman named Lydia, but as is customary at the turn of the century, is not love enough for a fairy tale to come true. While Arvid struggling to create the basis for their existence, Lydia's thirst for the good life leads her to marrying an older wealthy man.

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Grandmother is dead and her grandson Erik is trying to gain knowledge of the deceased. The young Danish butcher's daughter Dagmar who transformed to the family,s dreaded and dear grandmother.

为了面对那项一直被回避的任务——翻找已故母亲的遗物，原本沉着冷静的年轻女子艾米丽（Emily）回到了瑞典南部的家族农场。然而，当她的童年好友米娅（Mia）前来给予精神支持时，艾米丽陷入了创伤与悲痛的混沌境地，这也使她们的关系变得紧张起来。

The teenage Birgitta discovers the game between men and women and she turns from a shy 12-year old to a provocative 15-year-old, seducing the men she meets on the daily train ride.

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War takes its cruel toll, which everyone must pay. It hits a small Slovak village especially hard, where the struggle for a bare life becomes a test of human character. For two impoverished friends, Jakub and Maja, struggling through poverty is more than difficult. Jakub delivers sour milk from somewhere on his cart to the entire village and lives in a dilapidated house with his sister Tereza, whose caregiver and guide through life is the experienced woman Mara, who provides herself with money from seduced soldiers. Maja, on the other hand, is a foundling and homeless man who does whatever he can to survive the next day. The only consolation for the two inseparable friends are the circulating tales of a kind of promised land, where there is no poverty or hunger, and where they could both go. Only this vision, this idea alone keeps the two of them and the rest of the village on their feet, and gives them hope for a better tomorrow.

In this somber, psychological drama about the conflict between a man's innermost feelings and a society that puts these feelings in a strait jacket, the mood is ruminative and depressing throughout. Alone, Viktor (Sven Wolter) heads off for his usual summer vacation to some islands where he can ostensibly look for antiques for his wife's shop in Stockholm. His marriage is a failure or worse -- he raped his wife before he left home, and he is obsessed by erotic imaginings. Once on the islands, he makes friends with a little girl whose mother is mentally disturbed and is kept by her husband in a locked room. The islanders are as tight-lipped as Viktor, and any communication is stiff and artificial. Viktor's own alienation begins to slip as he takes surprising, violent action to turn around the imprisoned mother's life -- but it does not work, nothing seems to work -- and his last actions indicate that he may not be willing to simply give up.